RUSSIAN CIRCLES
RUSSIAN CIRCLES Usa

Russian Circles named their 2016 album Guidance in reference to the uncertainty of the future. It was a fitting title for the times, with the album coming out a few months before America’s tumultuous presidential election, but it was intended more as a reference to the band’s own absence of a blueprint as they navigated their second decade as a band than as a social commentary. If there were questions as to how to move forward as a musical unit or individual doubts as to how to continue toiling as artists in the underground, the three years of relentless touring on the album only served to reinforce the Sisyphean struggle of artists. With their latest album Blood Year, Russian Circles forsake the sonic crossroads of divergent musical paths found on albums like Guidance and Memorial to offer up the most direct and forceful collection of songs in their discography.

 
The Chicago trio have always explored the dynamics of volume and timbre, with their albums vascilating between caustic attacks and blissful respites. Blood Year begins with the calm before the storm in “Hunter Moon”, where a few narcotic repetitions of guitarist Mike Sullivan’s melancholic plucked chords and woozy slide guitar usher in the first assault. “Arluck” charges out of the reverberating sustain of somber drones with Dave Turncrantz’s pounding rack and floor toms, expertly captured by Kurt Ballou at Electrical Audio in Chicago. The studio’s reputation for pristine drum tones is on full display in those opening bars, and when the drums break and Brian Cook’s grinding bass line forces its way into the mix it becomes evident as to why the band returned to Steve Albini’s world-famous recording studio where they’d tracked Enter, Geneva, and Memorial. Sullivan dives into the song with his signature finger-tapped leads and stacks loops of idiosyncratic harmonies on top of it. The song barrels through bottom heavy chugged guitar patterns and tightly wound noise-rock riffage before the rhythm section drops out to leave a lone guitar line in the ether. A second guitar line comes in on top of it. Then a third. The chasm fills with an orchestra of guitar loops before the drums and bass come back in and build to the song’s vicious conclusion.

With Sullivan, Turncrantz, and Cook all residing in different states, Russian Circles have typically crafted their albums by piecing together song fragments and home recordings into meticulous texture-rich studio productions. But after seven tours in North American and five trips to Europe in support of Guidance, the band made a conscious effort to approach the songs on Blood Year with the same organic feel of a live show. In an age where rock records are often built on a computerized grid, Russian Circles chose to track the foundations of the songs together in one room as complete takes without click tracks. The human pulse and unmetered energy is immediately obvious in the dissonant barrage of “Milano”. The no-frills wall of distortion and mid-tempo stomp of the song recalls some of Russian Circles’ most unrelentingly savage moments—Memorial’s “Burial”, Geneva’s title track, Empros’ “309”. The first half of Blood Year closes with “Kohokia”, a harrowing song that somehow manages to capture the unsettling negative space of Spiderland in one moment, the blurry clamor of ashen metal in the next, and ultimately arriving at a triumphant pinnacle of staccato bass chords, battering ram drums, and heroic tapped guitar leads. 

Side two begins with one of the few reserved moments on the album in the slow fever-dream loop-stacked baritone guitar lines provided by Cook on “Ghost on High”. It’s less a song than a prelude to the tremolo-picked battle anthem “Sinaia”. Guitar overdubs were done at Ballou’s God City studio, and the engineer’s gift for rendering a variety of exquisite distorted tones can be heard in the timbre-rich medley of pastoral drones in the introduction, fury-of-Valhalla tremolo picking in the verses, scathing black metal-tinged snarl in the bridge, and cataclysmic chords in the finale. Russian Circles albums have typically ended with a comedown—the pensive “Xavii”, the folk ballads of “Praise Be Man” and “Memorial”, the delay-soaked ambience of “Philos”—but Blood Year ends on its most vengeful note, with the barbaric battery of “Quartered”. 

If Guidance was meant to be an exploration of forking paths, Blood Year was an almost single-minded statement of authority. While it retains the dexterity, multi-faceted techniques, and dramatic compositions that have been a trademark of Russian Circles since day one, Blood Year fully embraces the most forceful aspects of the band’s repertoire.



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TOURDATES
12-03-2020
Trix
Antwerp
Belgium
w/ Torche
13-03-2020
Bataclan
Paris
France
w/ Torche
14-03-2020
Astrolabe
Orleans
France
w/ Torche, Mars red Sky
15-03-2020
Warehouse
Nantes
France
w/ Torche
16-03-2020
Atabal
Biarritz
France
w/ Torche
18-03-2020
Hard Club
Porto
Portugal
w/ Torche
19-03-2020
Lisbao Ao Vivo
Lisbon
Portugal
w/ Torche
20-03-2020
Sala X
Sevilla
Spain
w/ Torche
21-03-2020
Copernico
Madrid
Spain
w/ Torche
23-03-2020
LA2
Barcelona
Spain
w/ Torche
24-03-2020
Le Rex
Toulouse
France
w/ Torche
26-03-2020
Santeria Toscana 31
Milan
Italy
w/ Torche
27-03-2020
Orion Live Club
Rome
Italy
w/ Torche
28-03-2020
TPO
Bologna
Italy
w/ Torche
30-03-2020
Pogon Kulture
Rijeka
Croatia
w/ Torche
31-03-2020
Durer Kert
Budapest
Hungary
w/ Torche
01-04-2020
Arena
Vienna
Austria
w/ Torche
02-04-2020
Lucerna Music Bar
Prague
Czech Republic
w/ Torche
03-04-2020
Astra
Berlin
Germany
w/ Torche
04-04-2020
Conne Island
Leipzig
Germany
w/ Torche
06-04-2020
Technikum
Munich
Germany
w/ Torche
07-04-2020
Rote Fabrik
Zurich
Switzerland
w/ Torche
09-04-2020
Die Kantine
Cologne
Germany
w/ Torche
10-04-2020
Gruenspan
Hamburg
Germany
w/ Torche
11-04-2020
Vega
Copenhagen
Denmark
w/ Torche
12-04-2020
Inferno festival
Oslo
Norway
w/ Torche
13-04-2020
Slaktkyrkan
Stockholm
Sweden
w/ Torche
14-04-2020
Musikenshus
Gothenburg
Sweden
w/ Torche
16-04-2020
Roadburn festival
Tilburg
Netherlands
w/ Torche
18-04-2020
Zorlu Center PAC Studio
Istanbul
Turkey
 
19-04-2020
Zorlu Center PAC Studio
Istanbul
Turkey
 
21-04-2020
Piraeus 117 Academy
Athens
Greece